Mixing Music :: essays research papers

Most reasoned mixers these days can amaze there mix process at any desired steer because of their years of experience and their relationship to their monitors. When start out as a mixer you do non accede a shit this experience and need to start at a reference point that go out produce desired results for your mix. I have designed this immix segment for those with little experience or are new to the alloy process. Before starting a mix you need to have a vision of how you want your mix to sound. Refer to Cds that examples of what you are trying to achieve, for yeasty and tactical purposes this provide give you guidance on where you would like to take your mix sonically and musically. NEAR FIELD MONITORS Good near field monitors tour an essential in consistent reference. The monitors should be cap commensurate of reproducing frequencies from 60hz to 17Khz and be able to handle high SPL, and set up in a angulate fashion 3-4feet apart. Make sure the monitors are not too oddment to the plane of the console so to minimize high frequency reflections that will corrupt proper imaging. If your using monitors that are not true in frequency response equalize the monitors in the monitor stage (post fade) to depart for discrepancies. This will alleviate you from incorrectly Eqing your mix to compensate for inaccurate monitors. alike the distance from your ears to the monitors should be set up so the room acoustics to not play a significant role in the sound of your mix. For example, the monitors are too far away and the room is reflective your mix will sound too dry. OUTBOARD GEAR I like to start off my mixing sessions with at least third different reverbs, three ddls a stereoscopic picture chorus effect and two extra stereo effects processors with many assorted stereo effects like phasing, flanging, and so on