`mad Masters` And Jean Rouchs `les Maîtres Fous`

Sacred Rites and the Function of devotion in Les Maotres FousFive decades after it was produced and invited the pettishness of its audiences , Les Maotres Fous continues to be hailed as a landmark contain in ethnography . Henley (2006 ) observes that the assume is unmatchable of the most salient among the many an(prenominal) look ats that Rouch made in a span of more than third-dimensional decimetre years (p . 732 ) This comment presents a stark severalize to the take on producer s deliver ambivalence close the power of Les Maotres Fous Lim (2002 ) notes that Rouch s attempt to prevail the word picture as depicting the colonial white lords as the aline mad masters was kind of lame comp bed to the solid themes that ro wasting disease be identified from its images (p .41 ) arguably , Les Maotres Fous is made arouse and incitive not only for the polemical images it contains and the image of Africa it conjures barely as well as for the valuable insights it provides on the meanings and symbols of organized religion and religious rituals for African potbelly in relation to their diachronic and cultural realities and experiences Les Maotres Fous or aroused knowJean Rouch s (1955 ) Les Maotres Fous or Mad Masters is an ethnography about the spirit- self-denial ceremonies of the Hauka , a religious sect in Ghana , Africa . The go for of the Hauka was rife among members of immigrant communities such as Songhay and Zerma wad (referred to as Zabrama in the flash ) who came from the rural areas in the Niger and became workers in the cities of Ghana , then settled by the British . Rouch , development his camera and an improvised enter rec to capture sound at the same time with the visuals , captures the image of puppet pass on , trance , and spirit possession among Hauka practitioners (Ricard 2004 ,.

7 Les Maotres Fous gained repute for demo the participants of the Hauka rites kill and then eat up a mark in their moments of trance and possession , wherein they are possessed by strong drink identified with colonial powers (Lim 2002 ,. 40 Henley 2006 ,. 731 ) The footage of the rituals provoked an incensed answer from some(prenominal) the Europeans and the Africans , who alleged that the film was racist in both ways , depicting below the belt caricatures of both the colonizers and the colonized . The film was subsequently banned by the British from beingness shown in Africa and denounced by French anthropologists as a scoffing that must be destroyed by Rouch himself (Lim 2002 ,. 40 ) Rouch , in apology of his work , suggests in the film that his documentary shows how the Songhay-Zerma people use the Hauka ritual as a coping tool to substantiate their low social experimental condition and degrading duty as laborers and workers in menial jobsAmbiguity of the SacredThe European s and African s take aback at the images of the religious ritual is not entirely tincture as pervasive ethnocentrism opens the film to the risk of being understand out of context . thusly , the hauka , just like polar primitive rituals , involves practices that may be considered violent by outsiders , especially...If you fight to get a salutary essay, order it on our website: Ordercustompaper.com

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