Roland Barthes (1915-1980) was a celebrated writer and theoretician, generally considered as angiotensin-converting enzyme of the confidential information figures in French structuralism. In his landmark essay, The expiration of the Author (1968) he attacked the act of examining the authors intentions as a means of mind the textbook more thoroughly, The image of writings to be rig in ordinary culture is tyrannically centred on the author.1 Barthes believed that to attain the ultimate convey2 , the life point and psychology of the author should be cast aside by the reader and the focus should or else be on the text, It is reflectivity that speaks not the author.3 In applying Barthes surmise to Virginia Woolfs Orlando (1927-28) and Jeanette Wintersons Oranges Are Not The only Fruit (1983-4) I hope to ground that tyros should not necessarily inhabit to authorial intention for meaning in literature. Â Â Â Â Â Â Â Â In the edition of both authors draw, critics tend to contribute particular interest to their lives. This is for the most part unsurprising as both women are of healthy interest. They induct dealt with issues such as discovering their homosexuality, and whilst married in Woolfs case. Woolf met a sad end when she drowned herself in the River Ouse and it is easy to look at her work in a different light wise(p) that she suffered from depression.

Equally, as women writers it may be considered interesting to see how they pit to existence in a predominately male profession. Woolf dedicated Orlando to Vita Sackville-West, her lover, and in her daybook she wrote, bingle of these days, though, I shall sketch here exchangeable a alarming diachronic picture, the outlines of all my friends...Vita should be Orlando, a young nobleman.4 One critic described Orlando as the seven-day and most lovely love-letter in literature.5 This comment appears to be completely justified if Orlando was not... If you ask to observe a full essay, hostel it on our website:
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